Rapper likens self to one of world's greatest composers








Big-talking rapper Ryan Leslie -- who set fire to the front page of The Post for reporting on a $1 million jury verdict against him -- is now likening himself to one of history's greatest composers.

Leslie told Vibe magazine that he plans to title his next album "Black Mozart," and will record some of it in the capital of classical music, Vienna.

Last week, a Manhattan federal court jury rapped Leslie for reneging on a $1 million reward he offered for a laptop and hard drive that were stolen while he was on tour in Germany in 2010.

Auto-repair shop owner Armin Augstein found the gear while walking his dog, but Leslie ignored Augstein's efforts to claim the reward.



bruce.golding@nypost.com










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The business behind the artist: Miami’s art gallery scene still evolving




















This week, thousands of art collectors, museum trustees, artists, journalists and hipsters from around the globe will arrive for the phenomenon known as Art Basel Miami Beach. The centerpiece of the week: works shown at the convention center by more than 260 of the world’s top galleries.

Only two of those are from Miami.

While Art Basel has helped transform the city’s reputation from beach-and-party scene to arts destination in the years since its 2002 Miami Beach debut, the region’s gallery identity is still coming into its own.





“Certainly Miami as an art town registers mightily because of the foundations, the collectors who have done an extraordinary job,” said Linda Blumberg, executive director of the Art Dealers Association of America. “I think there’s a definite international awareness there. But the gallery scene probably has a bit of a ways to go. That doesn’t mean it’s not really fascinating and interesting.”

The gallery business, especially where newer artists are concerned, is a game of risk, faith and passion. Once a gallery takes on an artist who shows promise, they become an evangelist on their behalf, showing their work in-house and at fairs, presenting it to museums and curators and potential collectors and bearing the cost of that promotion.

For contemporary artists, most galleries take work on consignment, meaning they get a cut of as much as 50 percent when works sell. While local art galleries have been growing in number and popularity in the last several years — just try to find parking during the monthly art walk in Miami’s hot Wynwood neighborhood — even some of the area’s top art dealers say that while business overall is good, they struggle in the local marketplace.

“Our problem is that we have to do lots of art fairs in order to connect with the market that we need to connect with to sell the work that we have,” said Fredric Snitzer, a Miami-Dade gallery owner for 35 years. “The better the work is, the harder it is to sell in Miami. And that ain’t good.”

A handful of serious collectors call Miami home and store their own collections in Miami, including the Braman, Rubell, Margulies and de la Cruz families. But outside a relatively small local group, many gallerists say, their clients come from other parts of the country and world.

And some gallerists point out the troubling reality that even the powerhouse Galerie Emmanuel Perrotin could not stay open in Miami for more than a few years.

“The fact that big galleries have not been able to sustain their business models in South Florida tells you we’re obviously not at this high established point,” said gallery owner David Castillo. “It’s not like we’ve arrived, let’s sit back and watch Hauser & Wirth open down the street.”

Still, Miami’s gallery business has come a long way since the early 1970s, when a few dealers on Bay Harbor Island’s Kane Concourse were selling high-end pieces but the local scene was hardly embraced.

Virginia Miller, who owns ArtSpace/Virginia Miller Galleries in Coral Gables, first opened in 1974 to showcase Florida artists, though her focus soon added an international scope. She and other longtime observers credit several factors for Miami’s transformation, including the community’s diversity, the establishment of important museums, the Art Miami fair that started 23 years ago, the presence of major collections and, of course, Art Basel Miami Beach.





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President Obama keeps Debbie Wasserman Schultz as Democratic Party chair




















President Barack Obama on Monday asked Rep. Debbie Wasserman Schultz of Florida – who led the Democratic Party in a triumphant election year but also was criticized for a platform snafu during the party’s convention – to serve another term as the chairwoman of the Democratic National Committee.

“I’ve asked Debbie Wasserman Schultz to continue her excellent work as chair of the DNC. Thanks for all you do, Debbie,” the president tweeted.

“Thank you, Mr. President,” the Broward County Democrat tweeted in response. “I am honored to serve.”





The Democratic National Committee is all but certain to ratify Obama’s decision at its winter meeting in January. Party chairs usually are elected for four-year terms. Wasserman Schultz would head the party during the 2014 election cycle, a tough task since a second-term president’s party historically suffers losses in midterm elections.

Wasserman Schultz, 46, of Weston, won her fifth term in Congress last month when she easily defeated two challengers. She won the district, which includes Miami-Dade and Broward counties, with 63 percent of the 216,000 votes cast.

In her national role, Wasserman Schultz is credited with helping to steer the Democratic National Committee to a successful election. Democrats did even better than pollsters and analysts had predicted, with net gains of two Senate seats and at least seven seats in the House of Representatives. Obama won a popular-vote majority and a big electoral-vote majority over Republican Mitt Romney.

“She’s done a good job. You can’t argue with the results of the election,” said Kathy Sullivan, Democratic national committeewoman from New Hampshire and a former chairwoman of the state party.

Wasserman Schultz supported Hillary Clinton over Obama in the 2008 Democratic nominating contest, and she’s credited with helping to push the Clintons to campaign vigorously for the party this fall.

Though party officials regard her highly, Wasserman Schultz came under some fire earlier this year at the Democratic National Convention. The gathering in Charlotte, N.C. – carefully calibrated to give Obama a rousing sendoff for the general election campaign – erupted in chaos when the platform failed to mention God or to say that Jerusalem is Israel’s rightful capital.

Wasserman Schultz called the omissions “essentially a technical oversight.” The language was changed after the issues were made public, but the revisions came only after a confused scene on the convention floor. Convention Chairman Antonio Villaraigosa, the mayor of Los Angeles, called for voice votes, but the verdict was unclear. He finally said the changes had been approved, as many on the floor booed.

The controversy died quickly, and Wasserman Schultz was widely praised within the party Monday.

“You don’t mess with success,” said Dick Harpootlian, the chairman of the South Carolina Democratic Party. “There’s a very small group of people involved with and enthralled by the party platform, but it often doesn’t affect the vote.”





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ET Confirms Jamie Foxx in 'Spider-Man' Sequel

Jamie Foxx has some electrifying news for ET: He will definitely be starring in the sequel to The Amazing Spider-Man!

Related: Did 'Spidey' Director Just Reveal New Villains?

"Electro is a great character," Jamie tells ET's Nancy O'Dell when she asks him if he's confirmed to be in the next installment of the blockbuster franchise "I met with the director, Mark Webb, I met with Andrew Garfield, and we talked. … I think Electro will be an exciting character to play because he's a … genius electrician-type person, and he gets the short end of the stick from the whole world, and the next thing you know he turns it on."

Rumors had been swirling for quite some time that Jamie would be taking on the role of Spidey's nemesis, and he fueled the fire the day after Halloween when he tweeted that he dressed up as the character.

Plus, Webb alluded to the super-villain being a part of the next movie while promoting the upcoming release of The Amazing Spider-Man on Blu-ray and listing his favorite villains: "I like Green Goblin. I like Electro a lot. I think Electro is pretty fantastic."

Earlier today it was announced today that Chronicle and Lincoln star Dane Dehaan will join the super sequel as Harry Osborn, with Webb tweeting, "Meet Harry Osborn. So excited to have him on board. @danedehaan."

Of course, Spidey fans know that Harry Osborn is the son of Norman Osborn, who becomes The Green Goblin, and Harry himself eventually becomes the super-villain Hobgoblin. So who are the official baddies of the next Spider-Man film? No actual names have been announced, but the information is all there for those who want to connect the dots.

Video: 'Spider-Man' Sequel Secrets Hidden in Blu-ray?

Also starring Emma Stone, Jamie Foxx and Shailene Woodley, the new film in the Spider-Man saga is set for release in 3D on May 2, 2014. Production will begin in early 2013.

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Pink B'klyn brownstone gets repainted








Now the Park Slope “pinkstone” is like every other Brooklyn brownstone.

The new owners of the once notorious Pepto-Bismol-pink house at 233 Garfield Place recently slapped brown primer over the façade of the four-story home, ridding neighbors and preservationists of what they long considered an eyesore in the landmark district.

“Every neighbor we’ve encountered is happy to see the pink finally gone,” said Jeanne Accetta, who recently bought the home with her husband, Joseph for $2.075 million.

Accetta said the new brown facade is just primer paint and that the couple is working with the Landmarks Preservation Commission to pick a shade of brown paint that best blends in with the rest of the neighborhood.




The house had been pink since the 1960s and the gaudy look was grandfathered in years before the block was designated part of the special district, which requires approval for any changes to facades.

The couple is also seeking commission approval for other improvements, including the removal of some upper-level rear windows and the addition of a backyard deck.

The previous owner, Bernard Henry, a retired 95-year-old tailor, had previously claimed that he accidentally painted the home that distinctive shade of pink only after buying the wrong color paint. He lived there for five decades.










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The business behind the artist: Miami’s art gallery scene still evolving




















This week, thousands of art collectors, museum trustees, artists, journalists and hipsters from around the globe will arrive for the phenomenon known as Art Basel Miami Beach. The centerpiece of the week: works shown at the convention center by more than 260 of the world’s top galleries.

Only two of those are from Miami.

While Art Basel has helped transform the city’s reputation from beach-and-party scene to arts destination in the years since its 2002 Miami Beach debut, the region’s gallery identity is still coming into its own.





“Certainly Miami as an art town registers mightily because of the foundations, the collectors who have done an extraordinary job,” said Linda Blumberg, executive director of the Art Dealers Association of America. “I think there’s a definite international awareness there. But the gallery scene probably has a bit of a ways to go. That doesn’t mean it’s not really fascinating and interesting.”

The gallery business, especially where newer artists are concerned, is a game of risk, faith and passion. Once a gallery takes on an artist who shows promise, they become an evangelist on their behalf, showing their work in-house and at fairs, presenting it to museums and curators and potential collectors and bearing the cost of that promotion.

For contemporary artists, most galleries take work on consignment, meaning they get a cut of as much as 50 percent when works sell. While local art galleries have been growing in number and popularity in the last several years — just try to find parking during the monthly art walk in Miami’s hot Wynwood neighborhood — even some of the area’s top art dealers say that while business overall is good, they struggle in the local marketplace.

“Our problem is that we have to do lots of art fairs in order to connect with the market that we need to connect with to sell the work that we have,” said Fredric Snitzer, a Miami-Dade gallery owner for 35 years. “The better the work is, the harder it is to sell in Miami. And that ain’t good.”

A handful of serious collectors call Miami home and store their own collections in Miami, including the Braman, Rubell, Margulies and de la Cruz families. But outside a relatively small local group, many gallerists say, their clients come from other parts of the country and world.

And some gallerists point out the troubling reality that even the powerhouse Galerie Emmanuel Perrotin could not stay open in Miami for more than a few years.

“The fact that big galleries have not been able to sustain their business models in South Florida tells you we’re obviously not at this high established point,” said gallery owner David Castillo. “It’s not like we’ve arrived, let’s sit back and watch Hauser & Wirth open down the street.”

Still, Miami’s gallery business has come a long way since the early 1970s, when a few dealers on Bay Harbor Island’s Kane Concourse were selling high-end pieces but the local scene was hardly embraced.

Virginia Miller, who owns ArtSpace/Virginia Miller Galleries in Coral Gables, first opened in 1974 to showcase Florida artists, though her focus soon added an international scope. She and other longtime observers credit several factors for Miami’s transformation, including the community’s diversity, the establishment of important museums, the Art Miami fair that started 23 years ago, the presence of major collections and, of course, Art Basel Miami Beach.





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Two dead after bus crash at Miami International Airport




















What began as a day of prayer and fellowship turned into a surreal scene of stunned, bloodied passengers and twisted metal.

There was the sickening sound of crunching metal early Saturday as a busload of Jehovah’s Witnesses was low-bridged by a concrete overpass at Miami International Airport, peeling back the top of the vehicle “like a can of sardines.”

Airport workers running to the scene found shocked passengers thrown into the aisle or trapped in their seats by the wreckage.





Riders in the front rows were crushed — two of them killed, others seriously injured.

The driver of the bus, 47-year-old Ramon Ferreiro, took a wrong turn off LeJeune Road, entering the airport by mistake, then rolled past multiple yellow signs warning tall vehicles. He drove on, approaching an overpass whose sign said “8ft-6in”. The driver either didn’t see it, couldn’t read it, or realized it too late.

The bus stood 11 feet tall.

“The last thing he should have done is to keep going,” said Greg Chin, airport spokesman. “That goes against all logic.”

Ferreiro, whose driver’s seat was lower than those of the passengers, was not injured.

One passenger, 86-year-old Miami resident Serfin Castillo, was killed on impact, and all 31 others were taken by ambulance to local hospitals. Thirteen ended up at Jackson Memorial’s Ryder Trauma Center, where one of them, 56-year-old Francisco Urana of Miami, died shortly after arriving.

Three remained in critical condition Saturday night, and three had been released.

Luis Jimenez, 72, got a few stitches on his lip and hurt his hand. He said the group left the Sweetwater Kingdom Hall about 7 a.m., bound for West Palm Beach.

“I was sitting in the back when it happened,” Jimenez said. “We were on our way to an assembly and lost a brother today. I’m very sad.”

Delvis Lazo, 15, a neighbor and member of the same congregation, described Castillo as a “nice, old man.” He often saw Castillo at religious gatherings, and their families have known each other for more than 15 years.

The last time Lazo saw him was about two months ago, as he prepped for a talk before his congregation.

“He gave me a thumbs up, told me that everything was going to be all right,” he said.

The bus, one of three traveling to the Spanish-language general assembly on Saturday, had been contracted by the congregation, which has fewer than 150 members.

According to public records, the bus belongs to Miami Bus Service Corporation, a Miami company owned by Mayling and Alberto Hernandez that offers regularly scheduled service between South Florida and Gainesville, often used by University of Florida students. At the home address listed for the company and the owners, Mayling Hernandez told The Miami Herald that passenger safety is her primary concern.

“At this time I’m worried about the driver and the families of the victims. I’m praying for them,” she said. “My job is to worry about the safety of the passengers who are our clients. What we do requires a lot of responsibility. I didn’t know the passengers but that doesn’t mean I’m not suffering.”

Neighbor Armando Bacigalupi described the owners as “caring people” and said he had seen buses park briefly in front of the house.

According to the U.S. Department of Transportation’s Federal Motor Carrier Safety Administration, the company has two drivers for its three passenger motor coaches.





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Twilight Saga Breaking Dawn Part 2 Tops Box Office Again

In its third week of release, Breaking Dawn: Part 2 continues to dominate the box office.

Related: The Ultimate 'Twilight' Guide to 'Breaking Dawn' Actors & Their Characters

The final film in the Twilight Saga series raked in $17.4 million in ticket sales over the weekend, putting the vampire drama ahead of Skyfall, which earned $17 million for second place.

The spy thriller beat out Steven Spielberg's biopic Lincoln ($13.5 million) and the family friendly flick Rise of the Guardians, which took in $13.5 million.

Ang Lee's Life of Pi rounds out the top five with $12 million.

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Chiefs linebacker Belcher struggled with head injuries, alcohol and painkillers before he snapped and killed girlfriend, friends say








Kansas City Chiefs linebacker and former Long Island high-school star Jovan Belcher was allegedly battling football-related head injuries and booze, painkiller and domestic problems when he snapped and murdered his girlfriend before killing himself in front of two coaches Saturday.

A pal of Belcher’s told the Web site Deadspin.com that Kasandra Perkins, the mother of Belcher’s 3-month-old daughter, had threatened to leave him for good amid fighting between the pair.

The couple had only recently reconciled after Perkins left their rented house in Kansas City with the baby at one point to stay with friends. Perkins had returned, but friends said the relationship was still volatile.







Kansas City Chiefs running back Jovan Belcher (right) battled head injuries, drugs and alcohol before he snapped and killed his girlfriend Michele Perkins (left), friends said.





It didn’t help that he was drinking every day and taking painkillers while dealing with the effects of debilitating head injuries, the friend said.

Chiefs chairman Clark Hunt said today that Belcher was "a player who had not had a long concussion history.’’

Belcher, 25, and Perkins, 22, had argued for the last time when she returned home late from a concert Saturday morning. But the Belcher friend said the concert was only a “tipping point.”

“This was the result of a long-term conflict,” the pal said. “She made it clear that she was leaving and would contact a lawyer’’ to fight for custody and child support.

Cops today revealed that Belcher shot Perkins nine times before committing suicide with a different gun. His mother witnessed the slaying; she had been in town to help Perkins with the new baby, sources have said.

Belcher’s mother, Cheryl Shepherd, will now take custody of the couple’s infant daughter and plans to return with the child to the family’s West Babylon home, where her troubled son grew up, his relatives said.

The kin said the baby was in another room when Belcher snapped and unloaded on Perkins.

“[Shepherd’s] taking it as anyone else would've taken it,” said Belcher’s cousin, Eric Oakes, 20, who lives in the mom’s renovated house where Belcher grew up. “She just lost a son. We're all coming together.”

Oakes, wearing a game-warn Chief’s jersey with Belcher’s number 59 on it, said his cousin was his role model.

"[He's] always trying to steer me right. That's the only person I wanted to be like. A role model, basically my father. He's the person who made me play football,” said Oakes, who played running back for West Babylon HS.

In Kansas City, relatives trickled in an out of the home that had become a murder scene.

“I think she was home alone a lot,” said Kristen Van Meter, 31, a neighbor who went to community college with the victim. “He was kind of quiet. he would come and go.”

When he was there, she said, there were lots of parties.










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Boat Show may block Miami’s 2016 Super Bowl bid




















This winter, the biggest NFL match-up in South Florida might be Super Bowl versus Boat Show.

As South Florida readies a bid for the 2016 Super Bowl, it must contend with a major potential conflict on the tourism calendar. The National Football League may move the Super Bowl to Presidents’ Day weekend, already home to the five-day Miami International Boat Show since the 1940s.

It’s a significant enough conflict that, in the past, local tourism officials have declined to pursue a Super Bowl if it fell on boat show weekend. But this time around they may have no choice. For the first time, the NFL is requiring that potential host cities agree to a Presidents’ Day weekend Super Bowl if they want to pursue the big game at all, said two people who have seen the NFL request for Super Bowl bids.





The NFL “invited South Florida [to bid] knowing there was going to be an issue with Presidents’ Day weekend and the boat show,” said Nicki Grossman, Broward’s tourism director. “In the past, South Florida has not responded to a Super Bowl date that included Presidents’ Day weekend. This package is different.”

South Florida vies with New Orleans as the top Super Bowl host, with government and tourism leaders touting the game as both a boon to the economy and a publicity bonanza. But the notion of accommodating both Super Bowl and boat show — not to mention a major arts festival in Coconut Grove — strikes some top tourism officials as a bad idea.

“There is not sufficient hotel inventory available in Miami that weekend to host a Super Bowl,” said William Talbert, president of the Greater Miami Convention and Visitors Bureau. “We have taken a close look at that weekend, and it’s not physically possible in Miami to host Super Bowl during the Presidents’ Day weekend because of the boat show and the Coconut Grove Arts Festival. The hotel inventory is all being used for these two great events.”

His comments are at odds with the region’s top Super Bowl organizer and reflect the burden that the boat show may be to South Florida’s Super Bowl hopes for 2016 and 2017. The NFL invited Miami and San Francisco to bid for the 2016 Super Bowl by April 1, with the loser vying with Houston for the 2017 game. Talbert said the bid package states both decisions will be made in May.

For now, South Florida’s Super Bowl organizers face a largely hypothetical challenge, because the current NFL schedule has the Super Bowl occurring two weeks before Presidents’ Day weekend. The bid requirements for the ’16 and ’17 Super Bowls include three consecutive weekends as possibilities for the game, with the latest falling on the Presidents’ Day holiday.

Still, possible logistical hurdles may combine with political obstacles if the Miami Dolphins resume their push for a tax-funded renovation of Sun Life Stadium, the Super Bowl’s South Florida home.

Last year, the Dolphins proposed that Broward and Miami-Dade counties subsidize a $225 million renovation at Sun Life as a way to keep the region competitive for Super Bowls and other large events. The renovation includes a partial roof that would prevent the kind of drenching Super Bowl spectators suffered in 2007 when a rare February downpour hit Miami Gardens.





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